''The Virtuoso was a pleasant surprise for me. The sound is big and full, the scale is great, and the craftsmanship is excellent. One important quality of this instrument is that it blends well in a saxophone section. For a working musician, all of these qualities are a necessity. This is a horn that will work in any situation, and at a price point that is realistically within a musician's budget. Like I said, a pleasant surprise!''
Born and raised in Tuscaloosa, Alabama, Sherman began playing music at the age of 12, almost immediately recognizing that it was his life’s calling. During high school he had the opportunity to play and record with Gospel immortal James Cleveland. After completing high school in 1986, Sherman attended Clark Atlanta University, graduating with a B.A. in Music Education. After college, he joined Atlanta-based piano legend Johnny O’Neal’s quintet for a time before moving to New York City in 1994.
After moving to New York, Sherman quickly connected with the fertile and vital scene at Smalls Jazz Club, where he was a regular until 1997. It was while playing at Smalls that Sherman caught the attention of Blue Note Records, the label for which he recorded his first two albums, Full Circle and Big Mama’s Biscuits, released in 1996 and 1998 respectively.
During the period in which he was performing at Smalls, Sherman also toured the U.S. and the Caribbean with the Boys Choir of Harlem in 1995; was a member of the Lincoln Center Jazz Orchestra from 1995 to 1997; recorded/toured with Marcus Roberts, and participated in the incomparable Betty Carter’s Jazz Ahead Program. At the end of this prolific period, Sherman began a four-year stint with the Roy Hargrove quintet in 1997. After departing Roy Hargrove’s ensemble, Sherman shifted his primary focus to his own group. Although this was his primary commitment, Irby took the opportunity to join the final ensemble of the peerless Elvin Jones in 2004, and after Elvin’s passing, performed with Papo Va’zquez’s Pirates Troubadours.
From 2003-2011, Sherman was a regional director for JazzMasters Workshop, a mentoring program for young children. He has served as Artist-in-Residence for Jazz Camp West, and as an instructor for the Monterey Jazz Festival Band Camp. He was also a board member for several years for the CubaNOLA Collective.
Recognizing the shift in economics of the record industry, Sherman left Blue Note to form his own label, Black Warrior Records. Thus far, he has released Black Warrior, Faith, Organ Starter, Live at The Otto Club, and Andy Farber’s “This Could Be the Start of Something Big”.
Currently, Sherman is a member of the newly renamed Jazz at Lincoln Center Orchestra with Wynton Marsalis. Since rejoining the orchestra in 2005, Sherman, along with most members of the orchestra, has arranged much of the vast library of music that they have performed over the last eight years. He has also been commissioned to compose new works, including “Twilight Sounds”, and his Dante-inspired ballet, “Inferno”.
VIRT1005G | Virtuoso Alto Saxophone, Gold Plated
VIRT2003S | Virtuoso Tenor Saxophone, Silver Plated
VOL905 | Volare Flute, Solid Silver
BS510 | Professional Baritone Saxophone
SOPR500 | Professional Sopranino Saxophone
BEAU411 | LaBeau Clarinet, Grenadilla